Saturday, October 25, 2014

Louise Scott & Denise Lacount interviews

Recorded April 26, 2014, Graton, California

Frank always said that Louise was "to blame" for his life.

Friday, October 24, 2014

SWAPFEST 2014: TAC salutes Frank Moore

Recorded Thursday, April 24, 2014

PROGRAM NOTES FOR SWAPFEST 2014: TAC salutes Frank Moore
U-Haul sound installation

Frank Moore's series at TAC
Frank Moore (1946-2013), “one of the U.S.'s most controversial performance artists” (P-Form Magazine), performed monthly at Temescal Art Center from February 2009 until October 2013.  Frank changed the name of his series over the years.  Starting as “Reality Playings - experiments in experience/participation performance”, it then became “The Uncomfortable Zones of Fun”, “Risk for Deep Love – a ritual audience participation experience experiment”, and finally “Erotic Risk for Deep Love”!  Frank always created the performances around the people who came … Frank always said that he “just followed” … if the audience was willing to risk, the performance  melted, in Frank's words, “into a cozy little joyful community, willing to be uncomfortable and whatever else it takes to go into adventures of fun” … “willing to play together deeper than the normal reasonable world allows”.  Nudity, eroplay*, dressing and undressing were among just a few of the “tricks and tools” from 40+ years of performance that Frank used at TAC to create this altered space.  Frank greatly valued the ability to have an ongoing series at TAC, which he really considered his performance home for this period.

 *”Eroplay is intense nonlinear physical touching, rubbing, licking, exploring for physical pleasure for its own sake. Eroplay is foreplay which is released from the linear goals of reaching genital orgasm.”
– from Expanding Sex by Frank Moore, 2003

What you are hearing:
From: “Risk For Deep Love”, August 4, 2012
Frank Moore wrote: “This one is simply the most warmly erotic of my performances in years. That is because the audience was willing to take personal responsibility for saying YES, for playing, for risking for deep love. This shows what saying YES opens up, calls forth, and creates. Aroused erotic juicy sexy fun was created by rubbing nude bodies together within tribal intimate pleasure friction. This bodes well for the society as a whole! The whole night was pure uninhibited fun!”  This audio selection  begins with Frank saying that it is by far the best group in all the years we have been doing this series.  Toward the end, much of the audience dances nude to Tha Archivez singing “To Be Free”.  The rest is everyone sitting around (most nude) talking about the evening and their experiences, including one woman saying she feels that we can all do this in some form in our daily lives.  Very inspiring.  It ends with Frank telling everyone about Betty and her jewelry (Betty, our 85 year-old church-going friend and neighbor of many years) and how Betty loves that people take off their clothes and wear nothing but her jewelry!

Saturday, October 18, 2014

Reality Playings - January 30, 2010

Recorded at Temescal Art Center, Oakland, California.

Oh, another year has begun and another amazing performance starts it! A week ago I had to cancel THE SHAMAN’S DEN because I felt pale shitty physically. I wasn’t that hot this Saturday either. But I hate to cancel! So there I was, just drifting floating on the radiancy music of Tomek. Then people started coming in from their life quests, with their questions, their vague feelings that they had detoured from their childhood passions and hopes and joys. And they started asking! It got deep fast. Me, I was half-baked, running on fumes. But the performances are never about me! So everything read or muttered by me ignited insights in the people who stayed [I don’t know about the people who left]. They started running with these insights on their own! Most of them said they will start doing art that they had stopped doing. They will start because of what they have experienced in the performance. They came up with that on their own! Shit, can an artist ask any more before he admits success? Yes, I take the credit for the success even when I was half-baked and ran out of gas during the jam when everything that had been explored verbally /intellectually was becoming musical /physical. Hey, I am the star!


Thursday, October 16, 2014

Stephen Emanuel / Legs Wide Open Jam - Frank Moore's Shaman's Den

Recorded February 25, 2007

This is Frank's college friend, Steve.  It starts out with Steve playing music and ends with the Legs Wide Open Jam with Steve, Erika and Frank. In between you can hear Frank and Steve telling their great stories from Frank's college years and early performances, including the story of when Steve pushed Frank into the Marine Recruiting Office so that Frank could enlist!

Monday, October 13, 2014

Deep Core Magic #55

Here are the links to the complete performances featured in this episode:

Sunday, October 12, 2014

Dr. Susan Block in Berkeley

Recorded April 20, 2002

In 2002, Frank fought a year-long battle with the Berkeley City Council and the Berkeley Community Media board who were trying to censor adult programming on Berkeley's public access channel, B-TV. The censorship efforts were specifically focused on Frank's show, Unlimited Possibilities ( and The Dr. Susan Block Show (which Frank sponsored). Dr. Suzy came up to Berkeley to participate in a live debate on B-TV about this censorship effort. This video was shot before and after the debate.

Go here for a complete archive of the 2002 censorship battle with the BCM board and City Council.

Saturday, October 11, 2014

Passion Underground - ATA, San Francisco, California

Recorded December 4, 1987

From the original poster:

You are invited to join in a five-hour ritual of reality-subversion by performance artist Frank Moore.

This is a journey into innocent immorality and sensual vulnerability. Your guide will be the black beast who reigns in this hidden realm of uncensored touching, silly play, and howling fun. Bring mats, pillows, or blankets.

“In performance, Moore takes advantage of his disadvantage, becoming an unlikely guide into the pleasures of the body, taking audiences where they would probably never go without the example of his vulnerability and trust … that Moore would be the one urging us to stay connected with our physical selves is both ironic and poetic…” C. Carr, Village Voice, May 26, 1987

“Frank Moore the Bay Area’s resident BĂȘte Noir/Flower Child … could bring back the participatory aspect of performance that dominated its salad days.” High Performance Magazine, November 1, 1987

First performed at 455- 10th Street, San Francisco, California, October 9, 1987.
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