vimeologoFM

Monday, March 31, 2014

Feisto Raw Footage - Feisto & Julie playing in the bedroom



This is raw footage of my film FEISTO [ see the whole film at https://vimeo.com/24595844 ].  This is them playing intimate erotic in the bed before he zaps their clothes away.  But her dress hides nothing!

Sunday, March 30, 2014

Deep Core Magic #18 - "Exploring of Possibilities of Passion" & Intensive Meeting #5, Part 1



The hot performance ends.  If you don't count the performance in which Kirsten came to audition for DEEP CORE MAGIC [see the first episode], this was her first in my cast.  It also turned out to be the last for both the poet Maria and blind Teresa.  Then we switched to my studio, THE CAVE OF LILA, where I talked with nude Kirsten about the performance.

Saturday, March 29, 2014

CNS News from 2002



WE WON! Once the ACLU got involved and threatened to sue the City of Berkley, the proposal disappeared...and the adult programming continues to play on B-TV uncensored after 10pm.

For the complete archive: http://www.eroplay.com/fmup/archive/censorship.html

Thursday, March 27, 2014

Reality Playings - May 16, 2009



Recorded at Temescal Art Center, Oakland, California

All that we here can see in this one is how young we look!  This was a year before I almost died, spending six weeks in the ICU.  That aged all of us!

Wednesday, March 26, 2014

Deep Core Magic #17 - Exploring of Possibilities Of Passion, UCB 3.10.03



The erotic ritual performance continues, heats up, and gets more explicit!  It is amazing we did this in a university classroom!  All the while my writings [including my review of Annie sprinkle's first one-person performance] are being read to live music.

You can watch the entire performance here:
https://vimeo.com/27996764

Tuesday, March 25, 2014

Gestures - Allison



Recorded in the early 1980s.

Well, Stiev told this friend of his she should come to do GESTURES with me.  She made it through RUB EACH OTHER'S BARE FEET.  But kissing me was where she stopped.

Monday, March 24, 2014

Deep Core Magic #16 - Intensive Meeting #4, Part 4 / Exploring of Possibilities of Passion, UCB 3.13.03



In this episode we first talked about the power that being willing to be joyously responsible for saying YES to life gives you.  Then when Linda came in, we talked about up-coming performances, including a rash of intensives with people coming from out of state or country.  Then we switched to a performance in process where Linda and Kirsten nude erotically played together on the floor, rubbing pleasure arousing magical sweaty dance!  HOT!

You can watch the entire performance here:
https://vimeo.com/27996764

Sunday, March 23, 2014

Risk For Deep Love, December 1, 2012



Recorded at Temescal Art Center, Oakland, California.

Well, my question is Would you vote for any of these people who ran out en mass!  I still can clear out a theater!

Yes, I am so cheap that after they ran out I had the camera turned back on again and shot nude Erika and Mikee tickling each other just so I had a great thumbnail, and so I can put this in the EROART GROUP, and tag it NUDE, EROTIC, etc!  Yep, I am that cheap!

Gestures - Stiev & Lavina



Recorded in the early 1980's.

What a sexy cute couple!  Actually Stiev was my live musician for a couple of years at my performance series at university of California Berkeley in the eighties.  Also he set me up with his synthesizers when I did the score for my video, THE NUDE CAVE.  He was another of our waiters at our favorite cafe!

Friday, March 21, 2014

Deep Core Magic #15 - Intensive Meeting #4, part 3



Finally!  Last week by accident we put up a rerun.  So we took it down.  A lot of people thought Vimeo took it down.

This is the right one!  It continues our erotic play on the bed from the last episode.  But we go much deeper into pantan trances, rubbing pleasure prickly aroused friction of comfort, rocking into intense infusion which lasts almost the whole hour [not counting the last episode!]!

Thursday, March 20, 2014

Nonfilms - Paula & Frank



Recorded in the early 1980's.

This was at the end of the last six hour tape of NONFILMS!  Yes, we have reached the end of the three years of shooting of NONFILMS!

In this, Paula and I talked very deeply about my work, art, theater, acting, and eroart.  I met Paula when she was our waitress at our favorite cafe.  She turned out to be a trained actress.  So I used her in my performance series at university of California Berkeley in the eighties.  [Btw, I just have a tiny fraction of my performances on video!] I tried to get my friend to cast Paula opposite me in his film C.  P.  But he accused me of having a fetish for strong, smart women!  He casted a bimbo who couldn't act for the lead and gave Paula a minor role but when the bimbo disappeared and I had to take over the director position, I beefed up Paula's roll, including a hot sex scene with me!  Unfortunately we here can not find the raw footage of that!

Tuesday, March 18, 2014

San Francisco Art Institute Six hour Performance, March 4, 1978 / Forty eight hour process for Rod, Berkeley



We just got this back from the transfer service!  We were not sure what was on it!  The first half of the video is a part of the six hour performance I did at the San Francisco art institute years before I went there for my masters.  I had the art students mix up my secret magical glop and pour it on me lying nude on the floor.  Then Mariah, Linda, Ken and Amy all nude joined me in the messy dirty orgy of sliding rubbing pleasure on one another.  But the most controversial part of this performance was me informing the art students that they, not the janitors, would clean up the room.  It took hours of talking, but they restored the room!

But the video cuts to one of my forty eight hour processes at my Berkeley store front theater.  With the help of THE ROLLING STONES, I revealed who I really was!

Monday, March 17, 2014

Nonfilms - Debbie



Recorded in the early 1980's.

With this we have entered the last six hours of NONFILMS!  It took us just over three years of shooting!  I edited both EROTIC PLAY and THE NUDE CAVE from them.  But the NONFILMS as a body with all those sexy people are probably my most effective work...  To date!

Sunday, March 16, 2014

Deep Core Magic #13 - Intensive Meeting #4, part 2



Well, before we got on the bed to play, we talked about going into different states of aroused playing than Eroplay and Tansex, although we were not sure what those different states were.  One difference is she did not wear underwear!  As the episode ends, the play seems to be heating up.  We shall see!

Saturday, March 15, 2014

Nonfilms - Carol



Recorded in the early 1980's.

Although Carol thought she was modest, she did show quite a lot of her body.  But she really got turned on [checked out her body language] when we two, fully clothed, talked together deeply about breaking taboos, etc, during the second half of the session.

Friday, March 14, 2014

Nonfilms - Meredith



Recorded in the early 1980's.

What a sexy joyful crip [CRIP is my word for disabled]!  She was ready to play!  Obviously she loved her body!

Btw, we now only have less than six hours of NONFILMS left!  So enjoy!

Thursday, March 13, 2014

Nonfilms - Dale



Recorded in the early 1980's.

This shows how things have gotten suspicious and uptight!  The hunk in his underwear was my social worker at the time!

Wednesday, March 12, 2014

Risk For Deep Love, November 3, 2012



Recorded at Temescal Art Center, Oakland, California.

This one is a rich poetic one with a couple of adventurous spirits willing to go into rituals of intimacy.  But we ran out of time and got detoured by journalism students unwilling to participate.  To play the WHAT IF game, what if I had went right into the erotic rituals when the two said YES rather than dealing with the other people?

Below is the extremely well-written review of last week's performance written by the journalist I kicked out!  I always say if you want a good review, either goose the critic or kick her out!

Entering Oakland’s “Uncomfortable Zone of Fun: Risk for Deep Love”
By Eloise Murray
Staff Writer
Thursday, November 8th, 2012

Preparing for one of Frank Moore’s events is impossible.

Yet, being there in person is necessary to understand the true bizarre nature of the “ritual audience participation experience experiments” conducted by the widely respected shaman.

On Saturday night, his experiment was conducted in Oakland’s Temescal Arts Center, an event he hosts every first Saturday of the month.

The 66-year-old, Moore, unable to walk or talk as he was born with cerebral palsy, is well known for his ritualistic performances in which members of the crowd interact in intimate, erotic and rattled moments.

He has been referred to as the “king of eroticism,” one of the U.S.’s most controversial performance artists by P-form magazine, and the San Francisco Guardian  guarantees it will “baffle your mind.”

Intrigued by these reviews, The Pioneer made an appearance to Saturday night’s experiment titled “Risk for Deep Love,” which drew an intimate audience of approximately 20 unique characters, such as a nudist who was raised a Mormon in Salt Lake City, and a 70-year-old “pragmatic realist” who served as a sharpshooter in the Vietnam War.
It appeared no one knew what to expect when entering what Moore commonly refers to as the “Uncomfortable Zone of Fun,” a room filled with an array of musical instruments, hanging holiday lights, radiant artwork featuring brightly-colored abstracts of exploded female genitalia and sexual encounters, and a man crouched down by a synthesizer in the corner creating dark, ambient sounds in silence. The colors of the room were as psychedelic as the encounters soon to occur.

“I thought everyone would just be coming here to jam out with their instruments,” said one participant with confusion and embarrassment in his voice on arrival. “I just saw ‘Risk for Deep Love’ and it vibed with what I was about,” added another after Moore asked them to speak.

The evening began with Moore, who communicates through an electronic device, which his wife, Linda Mac, read and translated in a disconnected monotone manner, asking audience members to read some of his erotic poetry to the group.

This part of the experiment didn’t last too long as Moore then began demanding participants to undress one another.

“S … a … say … saying yes … o … p … opens everything up … for … every … everyone,” Moore communicated through Mac, staring around the room.

Moore questioned everyone in attendance throughout the evening, frequently moaning with excitement and banging his two different colored shoes on the footrest of his wheelchair and baring his toothless grin.

Strangely enough, the audience showed little reluctance in obeying his orders.

After a young male poet undressed Moore’s cameraman, who filmed the remainder of the experiment naked, Moore requested a young woman in her early 20s and his wife to undress one another.

“I am surprisingly chill,” the young woman said, confidently standing before a room of gazing eyes on her stark naked body.

It appeared Moore had the power to create his own ideal reality each month, where like-minded individuals come together aiming to feel comfortable in an environment society perceives as uncomfortable and confronting.
“It just reminds me of playing dress-ups as a little girl,” added another young woman, who was reluctant to get completely naked, but allowed a middle aged woman to dress her in a sexy see through costume, as requested by Moore.

Similar rituals continued for the next 90 minutes, until the room was a niche nudist colony of misfits talking about their lives, all the while no one questioning Moore’s motives.

How the ritual finishes remains a mystery, as after Moore diverted his attention to the three members of The Pioneer staff to ask them to undress, and consequently saying no, three journalists left the room, being reminded by Moore this was a participation not observation ritual.

The sounds of the various musical instruments rattling and blue lights flashing escaped through the cracks in the window on the way out, by passers none-the-wiser of what was happening behind those white wooden doors.


Tuesday, March 11, 2014

Deep Core Magic #12 - Intensive Meeting #3, Part 4; Intensive Meeting #4, Part 1



The hot bed scene continues!  Then we switch to the next session when we talked in detail about expanded erotic states of aroused playing.

Monday, March 10, 2014

Nonfilms - Suzanne & Alain



Recorded in the early 1980's.

Ah, what a difference a day makes!  We shot this the day after we shot the uptight couple!  This couple were pure uninhibited nude fun delightful joyful!  They ended up outside in our backyard doing gymnastic dance together almost nude!

Sunday, March 9, 2014

Nonfilms - Tricia & Randy



Recorded in the early 1980's.

Well, this is simply a morbid dark comedy with a couple who are far more painful than a governmental agency trying to be human!

Saturday, March 8, 2014

Outrageous Beauty Revue, February 21, 1979



Recorded at the Mabuhay Gardens, San Francisco, California.

Hot from the transfer service!  This tape starts with a glimpse of a Forty-eight hour process at my Berkeley store front theater.  But quickly switches to the San Francisco punk club THE MABUHAY GARDENS where we join my OUTRAGEOUS BEAUTY REVUE in progress.  Be warned that there are technical problems with the video.  But this show is hot, and I do all my own stunts, and my band THE SUPERHEROES backs us up!

Friday, March 7, 2014

Deep Core Magic #11 - Intensive Meeting #3, Part 3



This is another warm [hot!] juicy sexy fun intimate playing session on the bed.  But I'm wondering if she will ever take those damned underpants off.  Towards the end I disprove the false myth that I either am paralyzed or have no control over my limbs.  Notice my rubbing hand!  She did!

Thursday, March 6, 2014

Reality Playings - April 18, 2009



Recorded at Temescal Art Center, Oakland, California.

Ah, last night’s performance went to the core of the work.  Starting from very little to work with…  Except the beautiful space and set…  And blooming into a rich expanding piece of music, dance, and liquid medium erotic reality of not being sure of anything.  Starting with the sour face woman in the shadows on the bleachers.  Why did she come to something which was advertised as:

“REALITY PLAYINGS: experiments in experience/participation performance…
Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor. Other than that,
ADMISSION IS FREE! (But donations will be accepted.)?

Such performances are designed to expose, expand, trespass boundaries…  Not to define and stay within them!  Ah, age-old questions!  And no particular answers!

So starting with the sour face and the two dudes who weren’t giving much more, I just followed the bread crumbs into the void!  I had the one guy chose something in my thick book of my writings to read.  He picked one of the longest, most dense pieces, The Magical Cave Lovers. ( http://www.eroplay.com/Cave/reality_playings/reality_playings_arp09/index.html#cavelovers ) And he read it intensely, melting into it as time expanded. During the reading, I had the Asian guy undress Linda and Jen and put their beads on them (so I wouldn’t get shit from Betty, our eighty year old church going neighbor this time for not having nude bodies for her beads!)  The ritual had started!  After the reading, I asked the reader to be my keyboard player for the night. He agreed!    At that point Charles, the guy who did the dance with me last time, entered, carrying a horn case.  I acted like he was a cast member … I gave him shit for being late, missing the woman freaking out.  Playing along, Charles said that usually happened later in the performance.  He unpacked his horn…  some weird saxophone, whatever, and sat beside me and jammed with my vocals.  He switched back and forth between his horn and singing with me…  Linda and Jen danced nude, slides projected upon their bodies.  The keyboardist turned out to be hot!  At some point Tomek showed up with his accordion and joined in!  He switched to the roto-toms, which he fell in love with.  At some point I got rid of my board to join Linda and Jen dancing, still singing with Charles until he had to leave.  After the jam /dance everything had transformed.  The two guys actually started talking about how the performance affected them.  The keyboardist felt vulnerable in a good, new way.  I showed them the warning sign that I had over the doorway of every performance for years.

WARNING!
ENTER AT YOUR OWN RISK!
THIS PIECE MAY BE THREATENING
TO YOUR EVERYDAY REALITY.
THIS PIECE MAY CAUSE QUESTIONING
OF THE COMMON MORALITY.
THESE SYMPTOMS MAY APPEAR DAYS AFTER THE PIECE
WITHOUT WARNING…EVEN IF DURING THE PIECE,
YOU MAY FEEL AS IF NOTHING IS HAPPENING…
OR YOU MAY EVEN ENJOY IT. BUT ABOVE SYMPTOMS
MAY STILL APPEAR, LEADING TO RESTLESSNESS,
AND EVEN TO RADICAL CHANGE.
ENTER

The above is the version of the sign that we have on the website.

We shifted back to the sour face woman.  Corey said he started to think she might be a plant.  This started us talking about my history of using plants in performances…  And of people appearing to be plants when I hadn’t planted them.  Then I read the piece, The Rehearsal, ( http://www.eroplay.com/Cave/reality_playings/reality_playings_arp09/index.html#rehearsal ) which I wrote for the open audition part of the night.  As we read it, it became uncanny how Sour Face captured at least the beginning of the role I was auditioning for!  Was she a plant?  Who else was a plant?  What is the nature of performance?  What is the nature of reality?  Pretty good night’s work!  And they didn’t want to go!

Tomek was on his way to a music festival in Czechoslovakia.  He is planning to incorporate some of my guerrilla style of performance…  Such as engaging people in conversation.  So the work spreads!

More: http://www.eroplay.com/Cave/reality_playings/reality_playings_arp09/index.html

Wednesday, March 5, 2014

Nonfilms - Elaine



Recorded in the early 1980's.

We never knew what the person would transform into during the shoot.  Elaine came in a very straight uptight person who made us shut off the camera when she changed costumes [but she changed before Linda and me because we didn't have a dressing area on purpose].  I had to work hard! but about half way she cracked and started doing topless pinup poses giggling joyfully and pulling her panties way up!  This is why I never give up on a person!

Monday, March 3, 2014

Nonfilms - Georgia



Recorded in the early 1980's.

This is another classic of sexy fun which gives the phrase KEEP IT UNDER YOUR HAT a whole new meaning!  Of course this bright witty Georgia tells me how shy and modest she is, how she couldn't possibly be a stripper as she strips lustily!

Sunday, March 2, 2014

Nonfilms - Janice



Recorded in the early 1980's.

This is simply pure uninhibited nude fun!

Saturday, March 1, 2014

Risk For Deep Love - October 6, 2012



Recorded at Temescal Art Center.

Well, this was an intense epic of YES and NO fighting it out to the music of Kene-J aka SON.  European tourists came after seeing the fliers to get the San Francisco experience.  Linda, Erika and I could get people to undress us so we could dance erotically, unlike the last performance.  But the NO was heavy.  The angry Irish punk who said accusatorily that I was not doing performance art left before Gal*in_Dog, who teaches performance art in college arrived to lecture him.

But what tipped the night into the YES column was the fact that one of our VIMEO viewers flew from Illinois just to participate in the performance.  Al is a very smart guy [with a cute ass as you can see from the thumbnail] who has been watching the performances on vimeo for over a year and decided to come out to play!  I think he is the first of many of the vimeo viewers who will come!  He said he will come out again!

Photos and more: http://www.eroplay.com/Cave/riskfordeeplove/october2012/index.html
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